- Process as Purpose
- Music, Number and Architecture: Xenakis’ Polytopes
- Partch, Ptolomy, Tonality and Sound
- Klee and Webern: Theories and approaches
- Olivier Messiaen: A theory of colour
- Colour association in Messiaen’s Couleurs de la cité céleste
- The conception of music and time in the music of Steve Reich
- An exploration of consonance, dissonance and combination tones
- Schoenberg’s use of colour in ‘Farben’ from Five Orchestral Pieces, opus. 16
- The relationship between music & numbers in Cage’s First Construction (In Metal)
- Philip Glass’s ‘Floe’ from Glassworks and Wassily Kandinsky’s Composition VIII
- The Common Thinking between Kandinsky and Schoenberg on Painting and Music
- Music and image in the work of Harry Smith
- Messiaen’s synaesthetic views on music and colour, examining colour interpretations in Couleurs de la Cité Céleste
- The influence of the harmonic series in the transition from polyphonic to harmonic music of the Renaissance
- Wassily Kandinsky’s Composition X
- Magic Squares and Webern’s Concerto, op. 24
- Symmetrical Permutations in the Music of Olivier Messiaen
- Music and numbers in the work of Ryoji Ikeda
- The relationship between graphic symbols and sound
- Patterns of self similarity in John Cage’s First Construction (In Metal)
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